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Rabu, 28 September 2016

Exodus: Gods And Kings Ver Pelicula

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From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure "Exodus: Gods and Kings," the story of one man‘s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues. (c) Fox.

About Exodus: Gods And Kings

Artist : Christian Bale, Ben Kingsley, Joel Edgerton, John Turturro, Sigourney Weaver
As : MosesRamses
Title : Exodus: Gods And Kings Ver Pelicula
Release date : 2014-12-12
Movie Code : 1528100
Duration : 142
Category : Drama

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Comment For Exodus: Gods And Kings Full Movie Film

Name : Stephanie Merry / Alias : Washington Post
It's understandable that people were angry about the whitewashing of Egypt. But no aspiring actor of color should think of this as an opportunity missed so much as a bullet dodged.

Name : Mick LaSalle / Alias : San Francisco Chronicle
After a strong opening and a sagging middle, "Exodus: Gods and Kings" regains its stride and surpasses itself in the last third, when the God of Abraham unleashes a series of calamities on Egypt and the royal household.

Name : Alonso Duralde / Alias : TheWrap
You'll leave humming the plagues.

Name : David Ehrlich / Alias : Time Out New York
The ultimate takeaway is that if you can't finance a $140 million epic about ancient Egypt with racially appropriate actors, maybe you shouldn't make a $140 million epic about ancient Egypt.

Name : Michael Phillips / Alias : Chicago Tribune
Momentous conversations periodically grind any retelling of the Moses story to a halt, but Scott keeps his head down, plows through and then gets out of the way while visual effects supervisor Peter Chiang and his slave army take it on home.

Name : Tom Long / Alias : Detroit News
"Exodus" is an exercise in visual trickery that reaches for nothing beyond the obvious.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Moses is imagined as if Scott met him on an awkward first date.

Name : Bill Goodykoontz / Alias : Arizona Republic
"Exodus: Gods and Kings" has drawn fire for casting White actors in the major roles, but don't get too bogged down in that. Really, that's hardly the only reason to not like it.

Name : Ignatiy Vishnevetsky / Alias : AV Club
At least DeMille knew how to put on a show; the best this offers are a few bursts of Old Testament camp .

Name : Kenneth Turan / Alias : Los Angeles Times
Scott is nothing if not a master orchestrator of chaos, and, both intentionally and otherwise, "Exodus: Gods and Kings" offers plenty of that.

Name : Mark Jenkins / Alias : NPR
Crowd-wowing CGI spectacle and the inevitable if inconsequential 3-D effects make Exodus look like pure product, without any defining vision.

Name : Joe Morgenstern / Alias : Wall Street Journal
For all of the care and imagination that have been lavished on the production. the film's impact is best expressed by frequent aerial shots that are visually impressive and emotionally remote.

Name : Chris Vognar / Alias : Dallas Morning News
Admirably cogent, even colloquial, Exodus plows through its stages efficiently, methodically and without much Old Testament passion.

Name : Randy Myers / Alias : San Jose Mercury News
What this 3-D extravaganza gets spectacularly right is in putting the epic back into the biblical epic.

Name : Justin Chang / Alias : Variety
The result feels less like a straightforward retread of the biblical narrative than an amped-up commentary on it: This "Exodus" comes at you in a heady and violent onrush of incident .

Name : Linda Barnard / Alias : Toronto Star
Director Ridley Scott ticks the visual "epic" box with Exodus: Gods and Kings, but leaves emotion in the dust by trading spectacle for a compelling story.

Name : J. R. Jones / Alias : Chicago Reader
The movie works well as big-budget spectacle despite a ho-hum script.

Name : Amy Nicholson / Alias : L.A. Weekly
Ridley Scott can't decide if making rivers run with blood is heroic or horrific - you sense he'd rather make Gladiator II: Attack of the Frogs.

Name : Claudia Puig / Alias : USA Today
Bland, overly long and otherwise forgettable.

Name : A.O. Scott / Alias : New York Times
"Exodus" is ludicrous only by accident, which isn't much fun and is the surest sign of what we might call a New Testament sensibility at work. But the movie isn't successfully serious, either.

Name : James Berardinelli / Alias : ReelViews
The screenplay (credited to four screenwriters) is a mess, the pacing is uneven, the acting is inconsistent, and the experience as a whole is a letdown.

Name : Stephen Whitty / Alias : Newark Star-Ledger
A mish-mash - part half-committed melodrama, part half-thought-out political provocation.

Name : Lou Lumenick / Alias : New York Post
An utterly clueless, relentlessly grim and rambling action epic guaranteed to displease devout Jews, Christians and Muslims alike, amuse atheists - and generally bore everyone.

Name : Rene Rodriguez / Alias : Miami Herald
This is spectacular entertainment, practically a theme park ride, that could have used more spirituality and soul.

Name : Joe Neumaier / Alias : New York Daily News
This eye-rollingly bad movie is silly, sluggish and miscast.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Before you're able to get too distracted by Exodus' flaws, Scott reaches back into his bag of pixie dust and whips up another grand illusion.

Name : Rafer Guzman / Alias : Newsday
"Exodus" turns out to be part of a time-honored tradition: the old-fashioned, super-spectacular Hollywood bomb.

Name : Ty Burr / Alias : Boston Globe
"Exodus: Gods and Kings" does a fair job of giving us what might be called The Second-Greatest Story Ever Told. What it never convinces us of is why.

Name : Steven Rea / Alias : Philadelphia Inquirer
Computer-generated imaging has advanced spectacularly over the decades, but moviegoers, and gamers, have been there every step of the way. Miracles aren't as impressive as they used to be.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
We have no idea. What's the point of a Moses movie without a message from the mountaintop? Scott has broken the second commandment of a Bible movie: Have something to say and someone majestic to say it.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
An even better special effect would have been having a main cast that actually reflects the Mediterranean/North African desert environment.There are darker-skinned actors on the screen, though they just happen to be all slaves, servants and soldiers.

Name : Christy Lemire / Alias : RogerEbert.com
A numbing and soulless spectacle of 3-D, computer-generated imagery run amok, Ridley Scott's "Exodus: Gods and Kings" presents an enduring tale by pummeling us over the head with it.

Name : Richard Roeper / Alias : Richard Roeper.com
'Exodus: Gods and Kings' is spectacular.

Name : Liam Lacey / Alias : Globe and Mail
While the pale skin tones (bronzer is selectively applied) and haphazard mix of American and British accents is distracting, it barely scratches the surface of Exodus's ungainly artificiality.

Name : Jake Coyle / Alias : Associated Press
For an epic, there are, at best, only two clearly seen characters in Exodus.

Name : Peter Travers / Alias : Rolling Stone
Scott departs from Scripture enough to raise hackles. For example, this Moses sees God in the person of an insolent schoolboy (Isaac Andrews).

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Exodus: Gods and Kings is as uneven as Ridley Scott's career; at times, it seems to be a journey through the director's greatest strengths and weaknesses. The good news is that his strengths eventually win out .

Name : Soren Anderson / Alias : Seattle Times
Its grandiose set pieces feel empty and imitative (Scott pulled off this kind of thing much more successfully in "Gladiator"), and the whole picture feels glitzy and hollow at the core.

Name : Christopher Orr / Alias : The Atlantic
This is the first portrayal of God I've ever encountered who looked like he could use a good spanking.

Name : Stephen Farber / Alias : Hollywood Reporter
No movie with such a limp ending can be fully satisfying, and the beginning also falters. But the long middle section is a rousing good show.

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Jumat, 22 Juni 2012

Spy En Entier En Ligne

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Susan Cooper (Melissa McCarthy) is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency's most dangerous missions. But when her partner (Jude Law) falls off the grid and another top agent (Jason Statham) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global disaster. (C) Fox

About Spy

Artist : Melissa McCarthy, Rose Byrne, Jude Law, Jason Statham
As : Bradley Fine, Tihomir Boyanov, Susan Cooper
Title : Spy En Entier En Ligne
Release date : 2015-06-05
Movie Code : 3079380
Duration : 117
Category : Action, Comedy, Crime

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Comment For Spy Full Movie English

Name : Justin Chang / Alias : Variety
Melissa McCarthy gets the funniest, most versatile and sustained comic showcase of her movie career in this deliriously entertaining action-comedy.

Name : Liam Lacey / Alias : Globe and Mail
Although this fish-out-of-water scenario might sound over-familiar, both the humour and action here are startling and visceral .

Name : Peter Travers / Alias : Rolling Stone
McCarthy and director Paul Feig, are a dynamite team, with Feig's script a bonanza of zingers and femcentric subtext.

Name : Richard Roeper / Alias : Chicago Sun-Times
What does work, in every scene, is Melissa McCarthy's performance. She's as funny and as winning as anyone in the movies these days.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Put the woman in any damn thing she pleases. She's that good.

Name : Jake Coyle / Alias : Associated Press
It's a globe-trotting tour of McCarthy's talent, throughout which she's practically always kicking butt. Who was that double-O-what's-his-face, anyway?

Name : Joe Neumaier / Alias : New York Daily News
The intel is in: Melissa McCarthy can carry a comedy. Specifically, "Spy."

Name : Randy Myers / Alias : San Jose Mercury News
Feig draws out McCarthy's best, and she's up to the challenge, whether it's expressing tenderness and anger or slapsticking her way through the physical humor.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's as if writer/director Paul Feig studied an Ian Fleming list of everything you're not supposed to do in a spy yarn, then did it all - thereby producing an excellent adventure movie so funny you can barely catch your breath between scenes.

Name : Ann Hornaday / Alias : Washington Post
Feig's movies aren't particularly stylish - the visuals in "Spy" are serviceable at best, and the makeup is particularly un-subtle - but they possess a silly, sweet streak that makes them irresistibly infectious.

Name : Peter Howell / Alias : Toronto Star
One part parody, one part thriller, one part lethal satire of movie sexism.

Name : Wesley Morris / Alias : Grantland
In Spy, she's playing a caricature that is almost a complete character. The movie isn't out to humiliate her. It wants to prop up a version of heroism that makes sense for McCarthy.

Name : Bill Goodykoontz / Alias : Arizona Republic
Finally, after the promise shown in "Bridesmaids" but sold short since by weak scripts in films like "Tammy" and "Identity Thief," Melissa McCarthy gets a movie vehicle worthy of her talents.

Name : Richard Brody / Alias : New Yorker
Melissa McCarthy shines in this clever action-comedy showcase provided by the writer and director Paul Feig, but the movie's tightly contrived plot and uniformly positive emotions constrain her comic genius.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Everyone involved seems to have had a good time with "Spy," and so will the audience.

Name : Michael Phillips / Alias : Chicago Tribune
The fun of "Spy" comes in watching the right actors mess with their own images, blithely.

Name : Andrew Lapin / Alias : NPR
Spy is actually quite funny. It even proves itself to be in the same league with the first two films in Feig's loose comic trilogy, Bridesmaids and The Heat .

Name : Tom Russo / Alias : Boston Globe
Melissa McCarthy doesn't just adopt guises to fool the bad guys in "Spy." Part of what makes the action comedy such a loopy blast is the identity shifts she pulls on the audience.

Name : Steven Rea / Alias : Philadelphia Inquirer
If a Spy sequel isn't already in the works, they better get cracking. Nefarious terrorists and numskull guys await.

Name : Stephen Whitty / Alias : Newark Star-Ledger
[It] does have its moments, and it does have McCarthy. And while it's not worth much more than a rent, it does make us look forward to what she's going to do with "Ghostbusters."

Name : Kyle Smith / Alias : New York Post
If they do a sequel (teased in the final seconds), they should cut down on the endless, tedious chases and shootouts.

Name : David Ehrlich / Alias : Time Out
The tricksy plot allows McCarthy to explore the full range of her comic persona, and Feig is smart enough to get out of her way as the mild-mannered Susan starts wielding f-bombs as comfortably as Bond whips around a Walther PPK.

Name : Jesse Hassenger / Alias : AV Club
Rare is the broad mainstream comedy that can goof on its bigger-budget Hollywood siblings while providing a few moments of sincere uplift.

Name : Rafer Guzman / Alias : Newsday
A breezy, enjoyable comedy, and an ideal vehicle for the endearing McCarthy.

Name : Tom Long / Alias : Detroit News
McCarthy is not a one-size-fits-all talent; she needs the right vehicle. Here, Feig has given her precisely the right vehicle, and she shines.

Name : Mark Olsen / Alias : Los Angeles Times
"Spy" may not be a great movie, but it is great fun. And at times it will have you wondering if there's that much of a difference.

Name : James Berardinelli / Alias : ReelViews
The characters are one-dimensional. The narrative is flat and obvious.

Name : J. R. Jones / Alias : Chicago Reader
Hollywood is gradually figuring out what to do with Melissa McCarthy.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With the overlong, limp and lazy "Spy," Feig has lost his mojo.

Name : Moira MacDonald / Alias : Seattle Times
"Spy," plus popcorn, feels just right.

Name : John DeFore / Alias : Hollywood Reporter
Melissa McCarthy comes into her own as a comic star in Spy, stepping out from recent supporting- and co-headlining roles to become the big screen A-lister she promised to be in 2011's Bridesmaids.

Name : Dana Stevens / Alias : Slate
Spy lampoons sexism without abandoning sex-a tough tone for a comedy to strike but one that Feig and McCarthy manage to accomplish with both a sense of justice and a sense of humor.

Name : Andrew O'Hehir / Alias : Salon.com
McCarthy has much more to discover about herself as an actor and an avatar and a cultural signifier, and I hope she doesn't get trapped by one role, one genre or one franchise. But her campaign of conquest is going well.

Name : Bob Mondello / Alias : NPR
Feig's cheerfully feminist script makes only as much sense as it absolutely must, while providing McCarthy with chances to crack wise, show vulnerability and class, and do some of the more elegant pratfalls you'll have seen in a while.

Name : Alonso Duralde / Alias : TheWrap
McCarthy and Byrne's scenes together are cruelly hilarious, with the kind of no-holds-barred insult humor that makes you instinctively drop your jaw and cover your mouth.

Name : David Edelstein / Alias : New York Magazine/Vulture
Feig keeps throwing so much stuff at you - gross-out gags, chases, brutal violence, not to mention actors working their heads off - that he finally wears down your resistance.

Name : Amy Nicholson / Alias : L.A. Weekly
Spy is a call to arms for the cowed, and a riotous skewering of the workplace kings

Name : A.O. Scott / Alias : New York Times
The busy, silly script allows Ms. McCarthy to be her own best sidekick, in effect an entire sketch-comedy troupe unto herself.

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