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Rabu, 28 September 2016

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From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure "Exodus: Gods and Kings," the story of one man‘s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues. (c) Fox.

About Exodus: Gods And Kings

Artist : Christian Bale, Ben Kingsley, Joel Edgerton, John Turturro, Sigourney Weaver
As : MosesRamses
Title : Exodus: Gods And Kings Ver Pelicula
Release date : 2014-12-12
Movie Code : 1528100
Duration : 142
Category : Drama

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Name : Stephanie Merry / Alias : Washington Post
It's understandable that people were angry about the whitewashing of Egypt. But no aspiring actor of color should think of this as an opportunity missed so much as a bullet dodged.

Name : Mick LaSalle / Alias : San Francisco Chronicle
After a strong opening and a sagging middle, "Exodus: Gods and Kings" regains its stride and surpasses itself in the last third, when the God of Abraham unleashes a series of calamities on Egypt and the royal household.

Name : Alonso Duralde / Alias : TheWrap
You'll leave humming the plagues.

Name : David Ehrlich / Alias : Time Out New York
The ultimate takeaway is that if you can't finance a $140 million epic about ancient Egypt with racially appropriate actors, maybe you shouldn't make a $140 million epic about ancient Egypt.

Name : Michael Phillips / Alias : Chicago Tribune
Momentous conversations periodically grind any retelling of the Moses story to a halt, but Scott keeps his head down, plows through and then gets out of the way while visual effects supervisor Peter Chiang and his slave army take it on home.

Name : Tom Long / Alias : Detroit News
"Exodus" is an exercise in visual trickery that reaches for nothing beyond the obvious.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Moses is imagined as if Scott met him on an awkward first date.

Name : Bill Goodykoontz / Alias : Arizona Republic
"Exodus: Gods and Kings" has drawn fire for casting White actors in the major roles, but don't get too bogged down in that. Really, that's hardly the only reason to not like it.

Name : Ignatiy Vishnevetsky / Alias : AV Club
At least DeMille knew how to put on a show; the best this offers are a few bursts of Old Testament camp .

Name : Kenneth Turan / Alias : Los Angeles Times
Scott is nothing if not a master orchestrator of chaos, and, both intentionally and otherwise, "Exodus: Gods and Kings" offers plenty of that.

Name : Mark Jenkins / Alias : NPR
Crowd-wowing CGI spectacle and the inevitable if inconsequential 3-D effects make Exodus look like pure product, without any defining vision.

Name : Joe Morgenstern / Alias : Wall Street Journal
For all of the care and imagination that have been lavished on the production. the film's impact is best expressed by frequent aerial shots that are visually impressive and emotionally remote.

Name : Chris Vognar / Alias : Dallas Morning News
Admirably cogent, even colloquial, Exodus plows through its stages efficiently, methodically and without much Old Testament passion.

Name : Randy Myers / Alias : San Jose Mercury News
What this 3-D extravaganza gets spectacularly right is in putting the epic back into the biblical epic.

Name : Justin Chang / Alias : Variety
The result feels less like a straightforward retread of the biblical narrative than an amped-up commentary on it: This "Exodus" comes at you in a heady and violent onrush of incident .

Name : Linda Barnard / Alias : Toronto Star
Director Ridley Scott ticks the visual "epic" box with Exodus: Gods and Kings, but leaves emotion in the dust by trading spectacle for a compelling story.

Name : J. R. Jones / Alias : Chicago Reader
The movie works well as big-budget spectacle despite a ho-hum script.

Name : Amy Nicholson / Alias : L.A. Weekly
Ridley Scott can't decide if making rivers run with blood is heroic or horrific - you sense he'd rather make Gladiator II: Attack of the Frogs.

Name : Claudia Puig / Alias : USA Today
Bland, overly long and otherwise forgettable.

Name : A.O. Scott / Alias : New York Times
"Exodus" is ludicrous only by accident, which isn't much fun and is the surest sign of what we might call a New Testament sensibility at work. But the movie isn't successfully serious, either.

Name : James Berardinelli / Alias : ReelViews
The screenplay (credited to four screenwriters) is a mess, the pacing is uneven, the acting is inconsistent, and the experience as a whole is a letdown.

Name : Stephen Whitty / Alias : Newark Star-Ledger
A mish-mash - part half-committed melodrama, part half-thought-out political provocation.

Name : Lou Lumenick / Alias : New York Post
An utterly clueless, relentlessly grim and rambling action epic guaranteed to displease devout Jews, Christians and Muslims alike, amuse atheists - and generally bore everyone.

Name : Rene Rodriguez / Alias : Miami Herald
This is spectacular entertainment, practically a theme park ride, that could have used more spirituality and soul.

Name : Joe Neumaier / Alias : New York Daily News
This eye-rollingly bad movie is silly, sluggish and miscast.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Before you're able to get too distracted by Exodus' flaws, Scott reaches back into his bag of pixie dust and whips up another grand illusion.

Name : Rafer Guzman / Alias : Newsday
"Exodus" turns out to be part of a time-honored tradition: the old-fashioned, super-spectacular Hollywood bomb.

Name : Ty Burr / Alias : Boston Globe
"Exodus: Gods and Kings" does a fair job of giving us what might be called The Second-Greatest Story Ever Told. What it never convinces us of is why.

Name : Steven Rea / Alias : Philadelphia Inquirer
Computer-generated imaging has advanced spectacularly over the decades, but moviegoers, and gamers, have been there every step of the way. Miracles aren't as impressive as they used to be.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
We have no idea. What's the point of a Moses movie without a message from the mountaintop? Scott has broken the second commandment of a Bible movie: Have something to say and someone majestic to say it.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
An even better special effect would have been having a main cast that actually reflects the Mediterranean/North African desert environment.There are darker-skinned actors on the screen, though they just happen to be all slaves, servants and soldiers.

Name : Christy Lemire / Alias : RogerEbert.com
A numbing and soulless spectacle of 3-D, computer-generated imagery run amok, Ridley Scott's "Exodus: Gods and Kings" presents an enduring tale by pummeling us over the head with it.

Name : Richard Roeper / Alias : Richard Roeper.com
'Exodus: Gods and Kings' is spectacular.

Name : Liam Lacey / Alias : Globe and Mail
While the pale skin tones (bronzer is selectively applied) and haphazard mix of American and British accents is distracting, it barely scratches the surface of Exodus's ungainly artificiality.

Name : Jake Coyle / Alias : Associated Press
For an epic, there are, at best, only two clearly seen characters in Exodus.

Name : Peter Travers / Alias : Rolling Stone
Scott departs from Scripture enough to raise hackles. For example, this Moses sees God in the person of an insolent schoolboy (Isaac Andrews).

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Exodus: Gods and Kings is as uneven as Ridley Scott's career; at times, it seems to be a journey through the director's greatest strengths and weaknesses. The good news is that his strengths eventually win out .

Name : Soren Anderson / Alias : Seattle Times
Its grandiose set pieces feel empty and imitative (Scott pulled off this kind of thing much more successfully in "Gladiator"), and the whole picture feels glitzy and hollow at the core.

Name : Christopher Orr / Alias : The Atlantic
This is the first portrayal of God I've ever encountered who looked like he could use a good spanking.

Name : Stephen Farber / Alias : Hollywood Reporter
No movie with such a limp ending can be fully satisfying, and the beginning also falters. But the long middle section is a rousing good show.

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Rabu, 07 September 2016

Gold Volledige Film In Dutch Ondertitels

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The epic tale of one man's pursuit of the American dream, to discover gold. Kenny Wells, a modern day prospector desperate for a lucky break, he teams up with a similarly eager geologist and sets off on an amazing journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street. The film is inspired by a true story.

About Gold

Artist : Matthew McConaughey, Edgar Ramirez, Bryce Dallas Howard, Corey Stoll, Toby Kebbell
As : Kenny Wells, Michael Acosta, Kay, Brian Woolf, Jennings
Title : Gold Volledige Film In Dutch Ondertitels
Release date : 2016-12-25
Movie Code : 0071566
Duration : 90
Category : Drama

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Comment For Gold Volledige Film In Dutch Ondertitels

Name : Peter Travers / Alias : Rolling Stone
All praise to Michael Caine, who plays Austin's studly spy daddy, Nigel, and to Beyonce Knowles, who turns on Pam Grier sass as agent Foxxy Cleopatra. But hit-and-miss skits trying to pass as a coherent time-traveling plot reduce them to bystanders.

Name : Geoff Pevere / Alias : Toronto Star
This is a movie that's trying in too many senses of the word.

Name : David Edelstein / Alias : Slate
It's an ode to indecent joy.

Name : Michael Wilmington / Alias : Chicago Tribune
A shapeless, derivative-but-funny show.

Name : Eric Harrison / Alias : Houston Chronicle
Austin Powers in Goldmember is a cinematic car wreck, a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride.

Name : Tom Maurstad / Alias : Dallas Morning News
Watching Austin Powers in Goldmember is like binging on cotton candy. It's sweet and fluffy at the time, but it may leave you feeling a little sticky and unsatisfied.

Name : Mike Clark / Alias : USA Today
The Powers team has fashioned a comedy with more laughs than many, no question. But this time there's some mold on the gold.

Name : Ty Burr / Alias : Boston Globe
The most consistently funny of the Austin Powers films.

Name : Mark Olsen / Alias : L.A. Weekly
Myers' puppy-dog tenacity to that cast-iron tenet of low comedy, disarming and even somewhat charming in the first film, now has an air of careerist desperation about it.

Name : Stephen Holden / Alias : New York Times
When a movie is as down-and-out funny as Austin Powers in Goldmember, it's easy to overlook the missed opportunities and fizzled jokes littering the barrage of hilarity.

Name : Andrew Sarris / Alias : New York Observer
It's all amateur-night vaudeville and movies within movies that degenerate into total inanity.

Name : Kirk Honeycutt / Alias : Hollywood Reporter
The misses outweigh the hits by a wide margin.

Name : Connie Ogle / Alias : Miami Herald
The Austin Powers films have never, ever been anything approaching high-brow, but the uneven Goldmember seems to take a big step toward the extremely juvenile, with more scatological and fewer sex jokes.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
At its most absorbing, Lasseter's story plays like an Aussie Treasure of the Sierra Madre, in which the main subject is a bit of a cypher whose true nature proves to be as difficult to pinpoint as that elusive gold.

Name : Paul Clinton (CNN.com) / Alias : CNN.com
It's amusing, but you may find that you're over it.

Name : Carrie Rickey / Alias : Philadelphia Inquirer
Despite the firecracker energy of Beyonce Knowles, on hand as Foxxy Cleopatra, a tribute to bootylicious blaxploitation babe Pam Grier, the film is almost a complete fizzle.

Name : Neil Young / Alias : Hollywood Reporter
Sometimes all a documentary needs is one strong, charismatic personality to keep things watchable: Garnet's Gold boasts two in the form of the middle-aged eponymous protagonist and his feisty octogenarian mother.

Name : Desson Thomson / Alias : Washington Post
One-ups the Austin Powers sequel that came before it.

Name : Jeff Strickler / Alias : Minneapolis Star Tribune
The third installment in the series of super-spy spoofs, it's handcuffed by the ever-increasing load of baggage it carries.

Name : Bill Muller / Alias : Arizona Republic
The result plays like a series of skits, but the gags are so funny that it works anyway.

Name : Roger Moore / Alias : Orlando Sentinel
The whole enterprise collapses from exhaustion about two-thirds of the way through. Still, a staggering number of the gags that Myers and Co. fling against the screen stick.

Name : Roger Ebert / Alias : Chicago Sun-Times
The movie is a little tired; maybe the original inspiration has run its course.

Name : Clarence Tsui / Alias : Hollywood Reporter
Golden Kingdom's theological backbone is fleshed out by a warm and endearing portrayal of its characters' childhood innocence.

Name : Dennis Lim / Alias : Village Voice
Star/writer Mike Myers and director Jay Roach struggle visibly with exhausted possibilities and diminishing returns.

Name : Eleanor Ringel Gillespie / Alias : Atlanta Journal-Constitution
The reason this picture works better than its predecessors is that Myers is no longer simply spoofing the mini-mod-madness of '60s spy movies.

Name : Liam Lacey / Alias : Globe and Mail
Even if the gag-to-wince ratio isn't high, there are enough punchlines thrown here to make a sphinx smirk.

Name : Richard Roeper / Alias : Ebert & Roeper
I think this is the funniest of the three movies and I liked the first two.

Name : James Berardinelli / Alias : ReelViews
Qualities that were once amusing are becoming irritating.

Name : Steven Rosen / Alias : Denver Post
With so many impersonations to keep track off, director Jay Roach winds up moving between Myers and Myers so often that the editing feels like a crude cut-and-paste job.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Mike Myers and Austin Powers may stick to their old Beatle boots, but they've both come a long way, luvvy.

Name : John Anderson / Alias : Newsday
Goldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse.

Name : Jonathan Foreman / Alias : New York Post
Uneven, self-conscious but often hilarious spoof.

Name : Todd McCarthy / Alias : Variety
The laughs are here, to be sure, although even some of the best of them are retreads and the Swinging '60s recycling act is now feeling a bit past its zeitgeist prime.

Name : Susan Stark / Alias : Detroit News
Austin and Dr. Evil remain the most inventively detailed characters played by the franchise's star, guiding light and principal beneficiary. He's cheerful and energetic as ever.

Name : Terry Lawson / Alias : Detroit Free Press
The '60s satire that made the first movie such a hip trip is now just so much polka-dotted wallpaper; the jokes are now almost exclusively confined to orifices and excretions.

Name : Moira MacDonald / Alias : Seattle Times
Not much else in this third Austin Powers sequel is new or memorable.

Name : Craig D. Lindsey / Alias : Village Voice
The movie meanders (Perkins seems as distractingly lost as Frost), but it can stir real sympathy.

Name : Guy Lodge / Alias : Variety
An impressively disciplined, occasionally transporting debut feature from globe-trotting American helmer Brian Perkins.

Name : Stephen Hunter / Alias : Washington Post
The level of inventiveness remains high.

Name : Charles Taylor / Alias : Salon.com
Structurally and formally, Goldmember is a mess. What saves it is that Myers possesses in spades the thing that's crucial for comedy: an absolute lack of embarrassment and the willingness to go with his gut instinct.

Name : Glenn Lovell / Alias : San Jose Mercury News
A 14-carat stinker, delivered with little sense of fun and less inspiration.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Goldmember delivers.

Name : Kenneth Turan / Alias : Los Angeles Times
Myers' idea of a movie turns out to be similar to Ed Sullivan's idea for a variety show: Toss in a little bit of everything and hope for the best.

Name : Ken Jaworowski / Alias : New York Times
Approaching the story for the traditional trappings - narrative, action, even logic - is to ensure disappointment. But look to it for beauty and lyricism, and you may find a deeper satisfaction.

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